By Chris Jalufka | 03.05.2015
Kosowski’s portraits have the earnestness of an editorial headshot. Nuanced in mystery — crisp lined features that invite you to stare. The ‘Man From Another Place’ has that witching gaze that Lynch loves so much.
Odd and endearing, Kosowski did Lynch his way and in turn did the master filmmaker right.
For more from Bartosz Kosowski check out these handy links —